The Profession of Soca…
“Fire Fete 2012”
Making the best moment possible for everyone to enjoy, even though circumstances may not always be ideal in most professions, a purpose and mission far outweigh its conditions…professionalism can also compensate, and compliments those unforeseen moments or situations from occurring..
While others may have to bear the brunt of public scrutiny, some eventually rise to the occasion ,proven their worth and existence.
Never the less…the mood was set and quickly steamed into fire as Bunji, Fay-Ann and The Asylum Band delivered yet again… growing in international stature and continued confidence, and by observation the fastest band arrangement on stage “set up” speaks volumes to their Bona Fide performances thus far and so it began.
The reign of musical fire…illuminating at the Fire Fete Queens Park Savannah…Fay-Ann rolled into high gear, wearing red and was in a tempest mood…Bunji “Tun Up” and was ready for the ting now… presenting Eclectik dancers in a maddariffic musical retro sequence and Soca Icon Baron joined, the flashing fiery… singing the ever popular Soca duet “All Over” with Fay-Ann.
The reign of musical fire…illuminating at the Fire Fete Queens Park Savannah…Fay-Ann rolled into high gear, wearing red and was in a tempest mood…Bunji “Tun Up” and was ready for the ting now… presenting Eclectik dancers in a maddariffic musical retro sequence and Soca Icon Baron joined, the flashing fiery… singing the ever popular Soca duet “All Over” with Fay-Ann.
Note…nothing is hotter than a ring of fire formed out of Soca and performed in 360 degrees of heat, a circle contained by Bunji, Fay-Ann and The Asylum Band as the Lady in Red Fay-Ann…demonstrated and dance her way literally on top of the crowd, with shared delight by patrons enchanted, as they were guided by her passion and in true profession Bunji told his fans their commitment to performing for them remains a key component of entertainment.
Soca Phrase…”We ready for the Mas now”… Join the Evolution of Soca…Stay Tuned
Produced by Antonio Shortte
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